April Greiman is a thinker, transmedia artist-designer whose projects, which address all areas and scale from communications to textiles, from architecture to new media, together with the use of advanced digital technology, have made her studio unique contributors to the art and design world. Made In Space is a design consultancy, owned by April Greiman. Moving from New York City in the 1970s, April based her business in Los Angeles to explore new paradigms in communication design, which she continues to do today.
Made in Space brings a unique approach that blends technology, science, word and image with color and space providing design consultancy for identity, architectural. April Greiman (born March 22, 1948) is an American designer widely recognized as one of the first designers to embrace computer technology as a design tool. Greiman is also credited, along with early collaborator Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s.".
April established her reputation as a new media pioneer with now-legendary projects for the Cerritos Center for the Performing Arts, the Walker Art Center and Sci-Arc that were notable for their experimental mergers of type and image in large-scale applications. April's three-dimensional work ranges from environmental (Amgen) to exhibitions (AOL/TW), to integrated color palettes, finishes and. Her projects range from signage and exhibitions to the development of color and materials palettes, three-dimensional work and various art commissions.
Meanwhile, her new book-artifact- WhiteSpace: April Greiman Photography, reveals Greiman's continuum of eclectic discoveries. She designed this building in Nagasaki, Japan in 1995 captivating Japanese symbology using a similar color palette. Shown on the left.
Feb 14, 2019 - Explore Crystal Ibe's board "April Greiman2" on Pinterest. ideas about april greiman, collage art, art design. Changing scale 'pushes' color, often uncovering the movement of the light and saturation of the moving wave-fields of information present at the time of their 'capture.' Revealing, the often invisible, 'energetic' of the image is something I explore, both in shooting, but as well in the computer.
If I'm doing color palettes for buildings and architects I have a huge library of color chips and different systems, so testing colors is still a hands-on thing. That's the only 'analog' work for us, really. And your photography? I don't touch film, it's all digital.
All of our printing is digital. I haven't touched a piece of film for 20.