Color is subjective Sher knows that a lot of color theory is subjective. but he doesn't care. He loves using color in his films and enjoys collaborating with directors like Todd Phillips who embrace color at every level.
Sher met Todd Phillips on The Hangover and they have contributed their collaboration over the years. So when it came time to tackle Joker, they knew color would play a big. Joker (2019), colour graded by the fantastic Dustin Wadsworth, is an example of that.
The basic building blocks of colour grading used in Joker are the primary colours red, blue and yellow, each signifying a very distinct aspect of the story. The visual identity of Joker comes largely from Lawrence Sher, an accomplished cinematographer whose work I've admired for years. Known for his collaboration with Todd Phillips in the Hangover series, Sher took on the challenge of crafting a visual style that aligns with the gritty, raw, and often disturbing nature of Arthur Fleck's journey.
His manipulation of color, contrast, and texture. "Joker" cinematographer Lawrence Sher explains the impact color has on film. Using several of his films as examples, including "The Hangover," "Garden State," and "Paul." Sher explains how hue.
Green is part of the Joker's iconic color combo, but in this rendition of his look, it only shows up on his tie and his hair. While Arthur does have all the emotions that symbolically come along with green, something more relevant comes out of Joker's outfit: green is exchanged for a more hateful, powerful red. Lawrence Sher's eye for detail and an understated use of color, light and cinematography cement Joker's place as a modern classic.
This color theory offers insight into the protagonist's fractured psyche and challenges the audience to question the authenticity of the narrative presented. Integration of Musical Sequences and Enhanced Color Separation Joker: Folie à Deux incorporates musical elements that are accentuated through distinct color grading techniques. So, I became curious about the cinematography of Joker and wanted to know more.
The Colors of Joker That's when I stumbled upon this amazing video from the popular culture magazine Vanity Fair. In it, Joker cinematographer Lawrence Sher breaks down the use of color and lighting in Joker and some of his other films. He even goes as far as explaining shooting in LOG to the viewers, most of.
Explore how Joker uses visual storytelling through cinematography, color palette, and symbolism to reflect Arthur Fleck's psychological transformation. Discover how Gotham's gritty realism and iconic imagery shape the film's tone and narrative depth. He also spends time discussing how great Italian cinematographer, Vittorio Storaro, influenced his approach to lighting Joker.
The video is like color in film 101. So sit back and spend a few minutes learning the basics of color in Lawrence Sher's masterclass.