The Light of the World (1851-1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827-1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I. William Holman Hunt's painting is one of the most viewed 20th-century art pieces in the world, with a rich tapestry of symbolism to be unravelled. The Light of the World is a painting in oil on canvas, produced in the early 1850s by the English artist William Holman Hunt (1827-1910).
It is considered one of the most significant allegorical works of the Pre-Raphaelite movement. Biblical Inspiration The painting depicts a Biblical scene, specifically Revelation 3:20, in which Jesus says "Behold, I stand at the door and knock". Hunt.
The painting depicts Jesus knocking at a door with no handle, symbolizing his invitation to enter our hearts. It is the most traveled work of art in history, seen by millions on its world tour in the early 20th century. A religious painting in the Symbolism style depicting Jesus Christ knocking on a door with a lantern.
Learn about the artwork's meaning, symbolism, and current location at Keble College, Oxford, UK. See the original painting by William Holman Hunt, depicting Christ knocking at a door, in the Side Chapel of Keble College. Learn about the symbolism, the history and the patrons of this Pre.
'The Light of the World' was created in 1851 by William Holman Hunt in Symbolism style. Find more prominent pieces of religious painting at Wikiart.org. The Light of the World William Holman Hunt 1851-1856 Painting in the shape of an arched doorway.
Standing at a wooden doorway with rusted hinges and overgrown with ivy and weeds, in an orchard, is the forward-facing, full figure of Christ wearing a crown entwined with the thorns of the Passion, now covered with leaves. The Light of the World, an extremely famous painting by William Holman Hunt (1827-1910), came to be the most travelled artwork in history before being dedicated by Charles Booth to St Paul's Cathedral in 1908. The painting, known as a sermon in a frame, undertook a tour of the British colonies including Canada, Australia, New Zealand and South Africa across two years.
It illustrates. In a contemporary review, the nineteenth century preacher and social reformer George Dawson described The Light of the World, as a sermon on canvas and stated; "Such a picture explains the true uses which art had in the Middle Ages. With many people, nowadays, paintings are only the last touch of ornament given to their houses; but in the Middle Ages the painter occupied the place preachers.